Classical music with Barney Sherman

Weekdays at 1 pm and Sundays at 12 pm on IPR Classical

Could ours be a golden age of classical music? Around the world and around our state, people are writing music that goes straight to the heart, and performing older masterworks with the fluency of people speaking a native tongue. Barney's mission is to make it easy for you to connect to this new era of classical excellence, while providing you with musical companionship you can count on every afternoon.

Ways to Connect

public domain/ wikipedia

As promised, the classical Halloween countdown continues - thanks for your input!  Earlier, I posted eight picks; here are five more classical scares to bring the count up to 13. (And in the next post I'll add those you suggested.)  Here are some youtube versions. Again, if you have any other candidates, let me know at classical@iowapublicradio.org  or at our Facebook post:

https://en.wikipedia.org/w/index.php?curid=3702908

It's that time again! If you have any classical-music Halloween favorites, write to us at classical@iowapublicradio.org. Here are a few possibilities to get the conversation started; in Part 2 I'll post a few more later, bringing my total to 13.

When the Folias Duo came to Iowa, the husband-wife pair's first stop was Cedar Falls, where they played a live set in IPR Classical's Studio Two. They'd been on the road for seven hours, but their zest was irresistible. Try it: here's a video of their IPR performance of Cumparsita Vals,  a waltz-time reimagining of the classic tango La Cumparsita by Argentine composer Pablo Aslan:

http://ledouxclaude.wordpress.com/2012/01/12/une-annee-nouvelle-rencontre-avec-erin-gee/

In what ways could music relate to the human voice without Auto-Tune or even, necessarily, language - or, for that matter, even singing? New classical CDs are exploring a fascinating range of possibilities, and several are either by or about Iowans. In reverse chronological order, here are five standouts:

He would have cranked up his radio louder and louder as his hearing got worse, but there's no doubt that if public radio had existed, Beethoven would have been an addict. And according to Jan Swafford, "People who knew Beethoven said politics was his favorite subject." So in addition to IPR Classical, I'd bet LvB would have had a preset for IPR's News/Talk stream. Do you seriously think this man would have missed an episode of All Things Considered?

simonestesfoundation.org

In May, Simon Estes came to IPR to talk about his life and work, and one hour seemed way too short! His history is extraordinary: his grandparents were slaves, his father was a miner in Centerville, IA , then a major coal town, and he grew up to become one of the world's greatest opera singers. He broke many color barriers, including becoming the first black man to sing lead roles at the Bayreuth Festival (founded by Richard Wagner to showcase his operas). Dr.

In my post Is Parity Time Here for the Classical Violin? I mention a list I put together of classical solo violinists born after 1970, which I said illustrates my thesis that the field has attained gender parity. I mentioned, however, that the list is provisional - the best I could come up with from my perch in northeast Iowa - and that I welcome your input. Let me know what I missed, but meanwhile, here's the list:

http://www.midoriandfriends.org/

To paraphrase my previous post, if you think women have it bad in classical music, take a look at supposedly contemporary arts like film, literature, rock, jazz, blues, and country

michaelgilbertson.net

Listen below to a podcast of a live set from our studio Monday featuring four stellar young musicians from ChamberFest Dubuque.  Dubuque native Michael Gilbertson founded the festival in 2009; since then his compositions have won the Israel Prize and major awards from ASCAP and the American Academy of Arts and Letters, and have been performed by the Washington National Opera, the San Francisco Chamber Orchestra, a

Join us Monday at 7 PM to hear the Quad City Symphony in Beethoven, Brahms, and ... Bancks. In March, the orchestra premiered a work by local composer Jacob Bancks specifically about the Quad Cities.

At first glance, it seems obvious that classical music is unusual among the arts in its degree of male dominance.  But a careful look suggests that its gender balance is far from exceptional.

Andrew Eccles

When sworn enemies shrug and say, “What was THAT about?” it’s worth noticing, especially when they add, “You know, you’re making some good points.”  Something like that may be happening in classical music performance.

Yuri Vedenyapin

Before there was "Who's on first?" there was the similar routine, "Weinstein? Einstein!" by the Yiddish standup team Dzigan & Schumacher.

Yuri Vedenyapin

Russian-born singer/scholar Yuri Vedenyapin - a renowned expert in Yiddish folklore - will be in our studios Wednesday with Russian-guitar virtuoso Oleg Timofeyev to introduce us to the little-known repertory of Russian songs in Yiddish.

David Andrako

Even I am a little stunned by how exciting, original - and abundant - the classical concerts are in Iowa this weekend. Here's a list (and please let me know if I've missed something! I'll add it - bsherman at iowapublicradio.org):

wikipedia

Since his death four hundred years ago, the Bard has let imaginations flow - notably, those of musicians. Today, April 23, 2016, is the 400th anniversary of his death, so I thought I'd bring back a post I put up two years ago collecting lists of favorite Shakespeare-inspired classical music. As before, please let me know what YOU might put on the list! - Barney

The original text, from 2014:

Join us Thursday afternoon to hear one of the great musicians of our time, Simon Estes, as he tells us about his extraordinary work as a musician, humanitarian, and educator. Born in Centerville, IA, where his father worked as a coal miner, Estes was the first black male artist ever to appear at the Bayreuth Festival (he is one of the rare singers  to triumph in all of Wagner's major operas) and has sung lead roles with all of the world's great opera houses and orchestras.

www.dunedin-consort.org

Careful writers think twice before using superlatives, but it's safe to say that Bach’s St. Matthew Passion is the greatest musical work ever written for Good Friday services. It is sometimes called “the opera Bach never wrote,” but I doubt it,  in part because Bach calibrated it for use in Leipzig’s liturgy, and in part because, as musicologist/performer John Butt once told me, it goes far beyond Baroque opera in its musical, dramatic and psychological complexity. 

Barney's phone

What led three awesome soloists - Julia Bullard (viola), Hannah Holman (cello), and Susanna Klein (violin) -  to form an ensemble, and why did they call it "Trio 826"? Hear the answers, and examples of their superb playing, in the live session they broadcast from IPR's studio last fall.

Tonight at the University of Iowa College of Public Health, the award-winning composer Laura Kaminsky, painter Rebecca Allen, physicist Robert Davies, and The Fry Street Quartet will join forces for an interdisciplinary exploration of climate change called The Crossroads Project. It's part of a

Just an ordinary weekend in Iowa: Sure, if you were in London you could hear the Royal Concertgebouw Orchestra's Beethoven and Bruckner, and next weekend, see Sadler's Wells dance a Stravinsky double-bill. But think of the traffic and the cost of living! Meanwhile, here in Iowa? This month's Iowa Arts Showcase, which you can hear Saturday at 11 or 5, gives some in-depth background, but meanwhile  - check it out:

It's Bach's Birthday! - or is it? The calendars in Eisenach on the day of his birth read March 21st, but back in 1685 Thuringians were  still using the Julian calendar, so our equivalent date is "March 31st," ("equivalent" in being about ten days after the vernal equinox). But old habits die hard, especially addictive ones, and Bach is by far my primary addiction. How about if we just party for ten days?

Iowa's orchestras are commissioning works about Iowa; but how can music without words convey anything about a place? Some examples:

Sean Henri from Wikipedia

I’ve put it off all week, but the clamor is getting overwhelming… would you believe a single email?... so: on to the follow-up! In my last post, I explained why my trusted ideas about “what makes music classical” now seem confused, and I promised to follow up with a more viable approach. Here's a start. I don’t want to oversell it; at best, it’s only part of the answer. But for me, it helps clear at least some of the fog. 

Barney Sherman

If you missed the in-studio live set of Renaissance music by Fathom, not to worry - Fortune has smiled on you! You can listen to the mp3 with the widget below or to a WAV file at this link.  The group performed music written from the 1400s through February, 2014 (by Mary Larew, a native of Iowa and member of Fathom), all of it focused on the theme of Lady Luck. The six members of Fathom each have distinguished careers in early music (and in some cases, new music as well). They are:

Tune in at 3pm for a live in-studio concert of Renaissance music by the NY-based group Fathom.  Its six members, including two Iowans, have distinguished careers in early music (and in some cases, new music as well). They are:

Quick: define “classical music.”  It may sound easy, but most of my attempts have been dead ends. They don't get you to much of the music. Later I’ll discuss a definition that I think works - it covers everything, and helps explain why classical music matters to us. But first let me give you a tour of some of the blind alleys.

Photo by Ciuin Ferrin; used with permission

With all eyes on Sochi, here's a little IPR extra for the ears: two masters of the Russian 7-string guitar, Oleg Timofeyev and Vadim Kolpakov, who came into our studios last November to play original and traditional music. They told me about composing Roma music in Moscow, performing with Eugene Hutz at Madonna's birthday party, and reading a scene in Dostoevsky that connects Roma and Klezmer musicians. And they demonstrated the special sound and style of their instruments.

Andy Doe, properdiscord.com

Why Charles Rosen quipped that "the death of classical music is perhaps its oldest continuing tradition" (we'll see that it goes back to 1324), and why the latest "faux-cool journalese" obit is as silly as previous ones. 

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