
Nate Chinen
[Copyright 2024 WRTI Your Classical and Jazz Source]
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Nate Chinen, editorial director for WRTI, shares some of his favorite music of the year.
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Musician Ahmad Jamal has been a major jazz figure since the 1950s. Emerald City Nights: Live at the Penthouse is a set of never-before-released recordings of Jamal in his prime.
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Hard to define, for one thing. But in our disorienting digital age, these image-savvy, genre-fluid, proficient yet irreverent artists can seem like the only ones who've gleefully cracked the code.
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Seven months after it debuted at the Rothko Chapel in Houston, Tyshawn Sorey relaunches his work Monochromatic Light (Afterlife) on a monumental new scale in New York's Park Avenue Armory.
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Sanders, revered as one of the avant-garde's greatest tenor saxophonists, was a member of John Coltrane's final quartet. His expressive playing laid a path for generations of musicians.
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On his new album the drummer, composer and self-described "beat scientist" makes music by way of an elaborate hybrid method combining improvisation with careful editing. It sounds like magic.
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In his work with The Smile and Sons of Kemet, the drummer has always found the pivot points between chaos and clarity. Skinner's solo album brings that shifting insight into focus.
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DeFrancesco played in Miles Davis's band as a teenager, brought the sound of the Hammond B-3 organ roaring back to the jazz mainstream in the 1990s and remained the instrument's most visible champion.
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A rising star in the world of improvised music with her group FLY or DIE, branch died on Monday at her home in Brooklyn, N.Y.
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Keith Jarrett's two strokes in 2018 left the pianist unable to perform publicly. On the occasion of Bordeaux Concert, WBGO's Nate Chinen caught up with Jarrett.