Anastasia Tsioulcas

Anastasia Tsioulcas is an Associate Producer for NPR Music. In this role she is responsible for producing, blogging and occasional reporting on classical and world music.

Tsioulcas is co-host of NPR's classical music blog, Deceptive Cadence, and also produces live concert webcasts, ranging from Member Station co-productions to other live concerts and special events, including Field Recordings and Tiny Desk Concerts, that she's helped curate and produce.

While here at NPR, Tsioulcas has produced, coordinated and reported on a variety of topics and initiatives including rallying a few hundred singers to Times Square for a "flash choir" to sing the world premiere of a new Philip Glass piece, commissioned by NPR Music. Tsioulcas also had the opportunity to speak with Pulitzer Prize-winning composer Steve Reich about his piece WTC 9/11 and she produced and co-hosted a live concert at (Le) Poisson Rouge with legendary conductor Daniel Barenboim and his West-Eastern Divan Orchestra, comprised of players from Israel and across the Arab world.

Prior to joining NPR in April 2011, she was widely published as a writer on both classical and world music, and was the former North America editor for Gramophone Magazine and the classical music columnist for Billboard. She has also been an on-air contributor to many public radio programs, including WNYC's Soundcheck, Minnesota Public Radio's The Savvy Traveler, Public Radio International's Weekend America, and the BBC's The World. As a world music journalist, she has reported from across north and western Africa, South Asia and Europe on the music and culture of those regions.

Born in Boston, Tsioulcas was trained from an early age as a Western classical violinist and violist. She holds a BA from Barnard College, Columbia University in comparative religion.

In 2014, Sergei Roldugin told the New York Times, "I don't have millions."

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You never know who you're going to meet at a party. In the case of one young man and woman, a Halloween celebration in New York City led not just to a love affair — it became part of the fabric of modern Cuba.

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Hip-hop fans received a surprise Thursday night: an unexpectedly released project from Kendrick Lamar called untitled unmastered.

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With services like Spotify, Pandora, Tidal and Apple Music, there are a bunch of companies that want your ears — and your money.

It seemed like there was something for everybody at the 2016 Grammy Awards. Mark Ronson's high-spirited "Uptown Funk," featuring Bruno Mars, won Record of the Year. The songwriting award, Song of the Year, went to Ed Sheeran and Amy Wadge's "Thinking Out Loud," while Taylor Swift won Album of the Year for 1989.

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A battle between upbeat, finely crafted pop and politically minded hip-hop seems to be what's shaping up for the biggest prizes at this year's Grammy Awards. The nominees were announced this morning, in advance of the awards ceremony on Feb. 15.

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Composer Terry Riley turns 80 Wednesday. He's been called the father of minimalism for his groundbreaking 1964 work In C. But his influence has spread far beyond, sparking the imaginations of many artists, from cutting-edge electronic musicians to rock gods.

Why is classical music so hard to enjoy on streaming services? In one word, it's metadata. Metadata is the information that coexists with every digital music file: each and every piece of information about a selection of music that a listener might find useful to know, and what makes the information in one file discernible from the next. In the case of classical music, relevant and important metadata includes the name of the piece of music, the composer, the album it's from, the performers, the label that released the recording and the year it was recorded.

When you're all grown up, you — at least theoretically — put away childish things. But there are exceptions, as violinist Hilary Hahn proves in her latest recording project.

Ethan Hawke might strike you as an unlikely guide to classical music. But in directing his first documentary, Seymour: An Introduction, he created an intriguing and ultimately profoundly moving tribute to a largely unknown artist, 86-year-old pianist Seymour Bernstein.

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Four a cappella voices making divine music: This has been the heart of Anonymous 4's mission for nearly three decades. And as the group bids farewell this season, they're saying goodbye in a poignant way — with the release of an album that couldn't feel more timely. It commemorates the 150th anniversary of the end of the Civil War and the beginning of Reconstruction.

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Last month, The New Yorker announced that it was teasing a new "freemium" version of its website (which launches this fall) with an alluring proposition. All of its most recent pieces, plus the full archives back to 2007 and some even older selections, are free for the rest of the summer.

So we took this opportunity to dig up some delicious classical music-minded pieces from the magazine's archives. They're perfect long reads for a lazy August afternoon.

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