Iowa Public Radio’s Opera in October continues for its third year showcasing Opera performances in Iowa. The series kicks off with presentations of the Des Moines Metro Opera’s 42nd Festival Season on Saturday, October 4 at 7:00 p.m. and Sunday, October 5 at 8:00 p.m.
He would have cranked up his radio louder and louder as his hearing got worse, but there's no doubt that if public radio had existed, Beethoven would have been an addict. And according to Jan Swafford, "People who knew Beethoven said politics was his favorite subject." So in addition to IPR Classical, I'd bet LvB would have had a preset for IPR's News/Talk stream. Do you seriously think this man would have missed an episode of All Things Considered?
Composer Steve Heitzeg with Maestro Joseph Giunta after the Des Moines Symphony premiers Heitzeg’s work “Symphony In Sculpture”. The Des Moines Symphony has commissioned Heitzeg to compose a sequel to that work this season.
Iowa Public Radio’s Symphonies of Iowa showcases an encore broadcast of the wcfsymphony’s “Spaces: Mahler 1 and World Premiere” concert this week. The program, which includes two Canzon by Gabrieli and Mahler’s Symphony No. 1 also features the world premiere of a new work by composer Brooke Joyce called Une Cité Moderne. Brooke currently serves as the Composer-in-Residence at Luther College and is the newly elected president of the Iowa Composers Forum.
Listen below to a podcast of a live set from our studio Monday featuring four stellar young musicians from ChamberFest Dubuque. Dubuque native Michael Gilbertson founded the festival in 2009; since then his compositions have won the Israel Prize and major awards from ASCAP and the American Academy of Arts and Letters, and have been performed by the Washington National Opera, the San Francisco Chamber Orchestra, a
Join us tonight at 7PM to hear the wcfsymphony premiere a work by Decorah-based composer Brooke Joyce and perform Mahler's First Symphony. Below are my impressions of the April concert (which I posted here on April 9th) - tune in and see what YOU think!
The 2008 Cedar Rapids flood literally capsized the Paramount Theatre's Wurlitzer organ, leaving it badly damaged. But a coalition restored the historic instrument to its full glory, and Orchestra Iowa unveiled it this March in a triumphant concert that you can hear rebroadcast tonight at 7PM on IPR Classical.
Careful writers think twice before using superlatives, but it's safe to say that Bach’s St. Matthew Passion is the greatest musical work ever written for Good Friday services. It is sometimes called “the opera Bach never wrote,” but I doubt it, in part because Bach calibrated it for use in Leipzig’s liturgy, and in part because, as musicologist/performer John Butt once told me, it goes far beyond Baroque opera in its musical, dramatic and psychological complexity.
Travel back in time tonight to hear the WCFSymphony's re-creation of a Mozart soiree, recorded live at Waterloo’s newly-restored Brown Derby Ballroom. The elegant interior was the perfect setting for an array of Mozartian gems, culminating in the Symphony no. 40. Soloists included soprano Suzanne Lommler and Artistic Director Jason Weinberger on clarinet. Jacqueline Halbloom hosts this Symphonies of Iowa broadcast.
It's Bach's Birthday! - or is it? The calendars in Eisenach on the day of his birth read March 21st, but back in 1685 Thuringians were still using the Julian calendar, so our equivalent date is "March 31st," ("equivalent" in being about ten days after the vernal equinox). But old habits die hard, especially addictive ones, and Bach is by far my primary addiction. How about if we just party for ten days?
Doctors told 15-year-old violin prodigy Augustin Hadelich he would never play again. A tractor fire at his family's farm had badly burned his upper body, including his bowing arm. But after many months of physical therapy Hadelich came back - and now, at age 29, he has won top international awards, been entrusted with two consecutive Stradivarius violins, and earned praise from critics like Alex Ross, who wrote in The New Yorker that Hadelich has not only "fast-fingered brilliance" but also "the musicality and freewheeling fantasy that...
How do you top a Super Bowl triumph? Renee Fleming does it by returning to a signature role - the love-struck sprite Rusalka in Dvorak's beautiful opera. Saturday at noon you can hear it live from the Metropolitan Opera on IPR - OR watch it live in HD video in theaters in Ames, Cedar Falls, Davenport, Dubuque, Des Moines, Grinnell, and Iowa City.
When Barney Sherman started planning his career in classical music, his supervisor told him, “Don’t even think about it, classical music is dying…the stations are closing, everyone’s looking for another career, it’s over.” But, 23 years later, Sherman is a Senior Music Producer at Iowa Public Radio, and Iowa’s classical industry is thriving.
Not that Iowa’s symphonies have not gone through some evolution.
Join us at noon for a live sneak preview of Opal, by Iowa’s own Robert Lindsey-Nassif - who has composed eight new songs for his acclaimed musical and re-orchestrated it for its Midwest premiere (at CSPS in Cedar Rapids). Jacqueline Halbloom will host Robert and members of the cast; they'll perform selections and tell us more about the story of Opal Whitely, who was orphaned in a shipwreck and raised in an Oregon lumber camp, and grew up to be a well-known nature writer.
Join us Monday at 7PM as the 2013-2014 Symphonies of Iowa season opens with Orchestra Iowa's "Bachtoberfest." The concert, which pays tribute to Johann Sebastian Bach, opens with his Fugue in G minor, BWV 578, originally for organ but orchestrated by Lucien Cailliet. It is followed by a tribute to the master by Timothy Kramer, BACH meets EsCHer. It closes with Bach’s Orchestral Suite No. 3 in D major and Felix Mendelssohn’s Symphony No. 5, the"Reformation," which was strongly influenced by that composer's love of Bach.
Tune in at 5 PM Tuesday to hear the pianist everyone is talking about playing Chopin, Mozart and Beethoven - and to learn how to pronounce his name! Rafal Blechacz (who won all five first prizes at the International Chopin Competion in 2005) was just named the 2014 Gilmore Artist. What's unique about this $300,000 award, given every four years, is that recipients don't even know they are under consideration until they win. Also, in the second hour of PT, hear Daniel Barenboim and his West-Eastern Divan Orchestra perform Beethoven's Second Symphony at Carnegie Hall.
Join us Saturday at noon to hear the Met production everyone's talking about: a Klimt-inspired update of Johann Strauss Jr.'s screwball farce "Die Fledermaus." A new English translation features jokey rhymes and topical swipes, and Broadway's Danny Burstein brings on the shtick as Frosch, the tipsy jailer. This being the Met, you can count on glorious voices and, from the orchestra, a "honeyed tone" (New York Times).
Tune in Monday at 7PM to hear a musical high point of 2013: Orchestra Iowa's world premiere of "American Gothic," which it commissioned from composer Michael Daugherty. A Cedar Rapids native who has won international fame and multiple Grammy awards, Daugherty took his inspiration from the art of another Cedar Rapids native, Grant Wood. Orchestra Iowa is just now releasing a CD of the work, but you can re-audition the concert premiere on this Symphonies of Iowa rebroadcast, which also includes the Dvorak 7th Symphony and Rachmaninoff's The Rock.
Tune in Saturday at noon as Julie Taymor's innovative production of "The Magic Flute" returns to the Met - conducted by master Mozartian Jane Glover in her Met debut. (She is only the third woman to conduct there.)
Continue New Year's festivities at 2PM on IPR Classical with Boston Baroque's annual Bach New Year concert from Cambridge, MA. The music this year includes the Brandenburg Concertos no. 3 and 4, plus the lovely Wedding Cantata and the delightful Coffee Cantata. (Spoiler alert: the father relents and gives his daughter permission to drink this radical new beverage!) Martin Pearlman conducts the ensemble he founded 40 years ago.
Join us Thursday at 7PM as the New York Philharmonic performs two masterpieces of Benjamin Britten to honor his centennial. In both works, Britten took his texts from great English poets: Tennyson, Keats, Blake and others in the Serenade for Tenor, Horn, and Strings, and Milton, Blake, Spenser, Auden among others in the Spring Symphony. Alan Gilbert conducts, and the soloists include soprano Kate Royal and tenor Paul Appleby (fresh from his success at the Met in Nico Muhly's Two Boys).
The perfect Christmas music continues December 25th on IPR Classical with: Chanticleer at 8AM; the St. Olaf Christmas Festival at 9AM; Stile Antico singing luminous Elizabethan music of Thomas Tallis and Willian Byrd at 11, followed by Chicago’s Music of the Baroque at noon with glorious music not just from the Baroque but also from modern Estonia and England. Then, at 2PM, hear a complete Handel “Messiah” from Boston’s Handel & Haydn Society led by Harry Christophers.
Join us Monday at 7PM to hear Tchaikovsky's The Nutcracker, recorded earlier this month in Cedar Rapids, featuring Orchestra Iowa in collaboration with Ballet Quad Cities. Earlier, at 3 PM, tune in for "A Carol Festival" from Valparaiso University, followed at 4 by "Glad Tidings of Great Joy," with music of Bach, Purcell, and others from Medieval Germany through Baroque Germany, all performed by the Choir of Christ Church Cathedral Indianapolis and the Early Music Institute of the Jacobs School of Music, Indiana University, directed by Paul Elliott.
Tune in Thursday at 7PM for the first of several "Messiahs" this month on IPR - this one a highly praised concert by the New York Philharmonic under Gary Thor Wedow. The New York Times called it "excellent, with "a fleet, lithe orchestral performance, aptly complemented by the buoyant singing of the chorus." The Times also raved about some of the soloists, and said that "the audience, standing for the Hallelujah Chorus, applauded and cheered at the end of that section."
Join us Monday at 7PM as Jason Weinberger and the wcfsymphony perform Christmas (and other) music of Bach, Handel, and Marc-Antoine Charpentier. The Bach includes selections from his cantatas and his Christmas Oratorio, plus the Brandenburg Concerto No. 6 with Kathleen Sihler and Ute Brandenburg on violas. Music from Handel's Messiah and Charpentier's Noëls round out the festivities. Guest vocalists include Jeff Brich, Elizabeth Bieber, and Kaethe Henning.
Tune in at noon to hear how Verdi improves on Shakespeare in the comic masterpiece Falstaff, premiered when the composer was 80. James Levine conducts Falstaff better than anyone else, and Robert Carsen's new Met production (updating the action to postwar England) is winning raves, as is Ambrogio Maestri - the 6' 5" Italian baritone who, says, the New York Times, "simply owns the role of Falstaff."
Its' been a great year for classical CDs! At 10:30, Barney Sherman will share ten (plus one) of his picks of the year with Charity Nebbe on Talk of Iowa - and playing many more than ten on his show every afternoon. If you have any particular favorite classical CDs of the year, please let us know!
Join us Monday at 7PM for "A Journey Through the Nutcracker." James David Jacobs goes behind the scenes of Boston Ballet's The Nutcracker, uncovering the secrets of Tchaikovsky's masterpiece with conductor Jonathan McPhee, cast members, and the audience at the Boston Opera House.