J.S. without his wig: a reconstruction of his face using digital forensic technology and a bronze cast of his skull, by Dr. Caroline Wilkinson of The Centre for Forensic and Medical Art in Dundee, Scotland.
Here's what forensic scientists think Bach looked like without his wig. And you can hear what scholars think some of his works sounded like in lost original versions on Barney Sherman's show each afternoon. Thursday's show also includes the "Courtly Dances" from Britten's Gloriana, a powerful new recording of Beethoven, and much more.
Join IPR's Barney Sherman for four hours of classical music this afternoon starting at 1. Along with music of Poulenc, Beethoven, Brahms, Tchaikovsky, and more, Barney will begin a daily series of reconstructions of lost works by J. S. Bach, "Back-engineered Bach." Up today: the Cello Suite no. 4, which may have started life as... well, tune in to hear!
In collaboration with the Chicago Symphony for their third BEYOND THE SCORE presentation, the Des Moines Symphony presents Tchaikovsky’s Symphony No. 4 in F Minor. This beautiful and inspiring four movement piece has captivated listeners since its first performance in Moscow in 1878.
Tune in Saturday at 7 AM or Sunday at 6 PM to hear a new Iowa-centered chamber group, Trio 826, recorded in concert. The Trio - violist Julia Bullard of UNI, cellist Hannah Holman, formerly of the Maia Quartet, and violinist Susanna Klein - are joined by pianist Rene Lecuona of the University of Iowa. On the program are string trios by Borodin (transcribed by Dr. Bullard) and Kodaly, a work by Robert Washut, and Faure's Piano Quartet no. 1. The broadcast is part of our University Concert series.
Francis Poulenc's "Dialogue of the Carmelites," one of the Met's most acclaimed productions, airs live today starting at 12 noon. Poulenc tells the story of Carmelite nuns martyred in the French Revolution with what the New York Times calls "eloquent music that hardly calls attention to itself yet lingers with you." Patricia Racette, Erin Morley, Isabel Leonard, and Felicity Palmer head the cast; Louis Langree conducts.
Tune in Thursday at 7 pm to hear "Prospero's Rooms" - a piece by Christopher Rouse based on Edgar Allen Poe's "Masque of the Red Death" - premiered by the New York Philharmonic with music director Alan Gilbert. Also on the program is Charles Ives's Fourth Symphony, inspired in part by Nathaniel Hawthorne's "The Celestial Railroad," and Leonard Bernstein's "Serenade," inspired by Plato's "Symposium," performed by Joshua Bell. The broadcast is hosted by Alec Baldwin.
The players stomped their feet to applaud the conductor, Yannick Nézet-Séguin - that's how great the Philadelphia Orchestra's recent Carnegie Hall concert was. Hear it for yourself tonight at 7 on SymphonyCast. The New York Times said, "The ensemble, famous for its glowing strings and homogeneous richness, has never sounded better." On the program are Ravel's La Valse, Szymanowski's Violin Concerto (Leonid Kogan is the soloist), and Shostakovich's Fifth Symphony.
Tune in Saturday at 7 PM for the UNI Opera Theatre's irresistible production of Johann Strauss Jr's witty, melodious "Die Fledermaus." It's performed in communicative English and led by Jonathan Girard. The broadcast is part of our "Arias in April" series. (Bonus: watch the rehearsal of the overture:
Tune in at 7 tonight to hear pianist Pierre-Laurent Aimard play Mozart's 23rd Concerto, plus a new concerto written for him by fellow Frenchman Tristan Murail. Also, American David Robertson conducts Beethoven's irresistible Symphony no. 2, and a work by the mystical Frenchman Olivier Messiaen. As usual, Alec Baldwin hosts this weekly broadcast of the New York Philharmonic.
Hear Nadja Salerno-Sonnenberg, one of America's leading violinists, tonight at 7 with the Des Moines Symphony. She performs the Mendelssohn Violin Concerto with what the Des Moines Register called "intense focus but a light touch... lilting through the middle section and scampering like a giddy squirrel through the finale." Also on the progam: music from Wagner's DieMeistersinger and Franck's beautiful Symphony in D Minor. Music Director Joseph Giunta conducts on this Symphonies of Iowa encore broadcast.
Siegfried, the third part of Wagner's epic "Ring" cycle, airs live from the Metropolitan Opera starting at 10 AM Saturday on IPR Classical. Jay Hunter Morris reprises his acclaimed portrayal of the title hero, and Deborah Voigt returns as Brunnhilde.
An epic tale from Pushkin meets the irresistible melodies and dances of Tchaikovsky in Eugene Onegin - and you can hear the Des Moines Metro Opera's production in an encore broadcast on IPR's Arias in April series tonight, Saturday April 20th, at 7 p.m . Iowa’s own John Moore, who has appeared at the Metropolitan Opera, sings the title role, and Jane Shaulis, who has also sung at the Met, is Filippyevna. Other cast members include Jan Cornelius, Elise Qualgliata, and Cody Austin.
Have you ever felt at a loss to understand certain music? April is Public Radio Music Month, and we are taking the opportunity to highlight classical and operatic music. Today we give you some tools for listening to classic music styles with some short excerpts and two music experts who will show you how to truly appreciate the genre.
In the 1920s, concert halls rocked with everything from jazz to airplane propellers, radio became a multimillion dollar industry and art and literature flowed like bathtub gin. On this week's "Exploring Music," Host Bill McGlaughlin gives us a guided tour through the Roaring '20s in New York, Paris and Berlin, introducing us to music from about two dozen composers, including Igor Stravinsky, Duke Ellington, Edgar Varese, Kurt Weill, Maurice Ravel, Germaine Tailleferre, Bela Bartok and Jerome Kern.
Iowa Public Radio’s Iowa Arts Showcase, April edition will celebrate Public Radio Music Month with an appearance by the Amara Piano Quartet (formerly known as the Ames Piano Quartet) complete with their new members, pianist Mei-Hsuan Huang and violinist Boro Martinic. Mei-Hsuan and Boro will join with long-time piano quartet and Iowa State music faculty, violist Jonathan Sturm and cellist George Work to discuss the challenges and rewards of forming a new piano quartet and the joys of performing chamber music.
On May 4, 2013 at 7 p.m. Iowa Public Radio’s Arias in April concludes with an encore broadcast of Cedar Rapids Opera Theatre’s 2012 production of The Merry Widow. Written in 1905 by Franz Lehár, The Merry Widow tells the comical story of the wealthy widow Hanna, wooed by Prince Danilo of the fictional country of Ponteverdo in an effort to save the country’s failing economy. Lehar’s score is full of luscious waltzes, including “Vilia” and “The Merry Widow Waltz.” Daniel Kleinknecht conducts. Orchestra Iowa musicians perform as the Opera Orchestra.
Iowa Public Radio’s Performance Iowa’s Arias in April series presents an encore broadcast of the University of Northern Iowa School of Music’s-Opera Theatre presentation of Die Fledermaus at 7 p.m. Saturday, April 27, 2013. This New Year’s Eve farce is filled with revenge, comedy, seduction, false identities, romance, and politics. UNI students excelled performing Strauss II’s operetta melodies and waltzes. Composed in only forty-two nights, this libretto has enraptured audiences since its debut in 1874.
On Saturday, April 20, 2013 at 7 p.m. Iowa Public Radio’s Performance Iowa presents Arias in April with an encore broadcast of Des Moines Metro Opera’s 2012 Fortieth Anniversary Festival Season performance of Tchaikovsky’s Eugene Onegin. This epic tale set from Pushkin’s novel in verse, tells the fateful story of youthful Tatiana falling in love with the mysterious and self-absorbed Onegin. Tchaikovsky’s irresistible melodies and trademark dances reflect the Russian atmosphere of his homeland.
Iowa Public Radio will celebrate Public Radio Music Month on Saturday evenings at 7 with Arias in April. Brought back by popular demand, Iowa Public Radio Classical will present encore broadcasts of the Des Moines Metro Opera’s 40th Anniversary season. We’ll also air again the UNI Opera Theatre’s production of Die Fledermaus and the Cedar Rapids Opera Theatre’s Merry Widow performance.
Join hosts Jacqueline Halbloom and Curt Snook as IPR Classical comes to you live from Martha-Ellen Tye Recital Hall in Ames with a performance by the Amara Piano Quartet on Sunday, April 7th at 7:00 p.m. This program is part of our Performance Iowa series.
Internationally-renowned pianist Jon Nakamatsu joins the Des Moines Symphony Orchestra for performances of Liszt’s first and second piano concertos. Nakamatsu, a Van Cliburn International Piano Competition gold medalist, has performed at the Chopin Institute in Warsaw, the Beijing International Piano Festival and with jazz pianist David Benoit at the prestigious Montalvo Arts Center in Saratoga, CA. This program under Maestro Joseph Giunta opens with music from Engelbert Humperdinck’s fairy-tale opera, Hansel and Gretel.
The Waterloo-Cedar Falls Symphony, led by music director Jason Weinberger, joins forces with the Cedar Valley Chamber Music Festival to bring audiences an eclectic array of American chamber music. Opening the concert is Walter Piston’s Divertimento, written for nine instruments and commissioned by the International Society for Contemporary Music in 1946. John Harbison’s North and South is a cycle of six settings of poems by Elizabeth Bishop, scored for mezzo-soprano, English horn, clarinet, bassoon, violin, viola, cello and bass.
Orchestra Iowa triumphantly returns to the newly refurbished Paramount Theatre following the devastating flood of 2008. In this concert, Orchestra Iowa presents the orchestral suite from the romantically poignant opera, Der Rosenkavalier by Richard Strauss. Der Rosenkavalier was an instant success following its Dresden premiere in January of 1911. The orchestra continues with Gunther Schuller’s most popular work, Seven Studies on Themes of Paul Klee.