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The Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. The one-hour program features Terry's in-depth interviews with prominent cultural and entertainment figures, as well as distinguished experts on current affairs and news.

As the American-born child of parents who emigrated from India, comic Hasan Minhaj often feels a little out of place. "I exist in this hyphen," he says. "I'm an Indian-American-Muslim kid, but am I more Indian or am I more American? What part of my identity am I?"

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TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Susan Burton knows just how hard it is to get back on track after being released from prison. It's an experience she lived through six times, once for each of the prison terms she served.

"One of the things about incarceration is that you're deprived. You lose all of your identity and then its given back one day and you're ill-equipped to actually embrace it and work it," Burton says. "Each time I left prison I left with the resolve to get my life together, to get a job, to get back on track. And each time the task became more and more and more daunting."

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

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DAVE DAVIES, HOST:

This is FRESH AIR. I'm Dave Davies in for Terry Gross, who's getting an honorary degree today from the University of Pennsylvania.

(SOUNDBITE OF JEFF RUSSO SONG, "FARGO SERIES THEME")

It wasn't a serious political gaffe, but it was awkward. On Feb. 12, the Republican National Committee tweeted a picture of the Lincoln Memorial along with the quote, "'And in the end, it's not the years in your life that count; it's the life in your years' — Abraham Lincoln."

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

On Friday, two different streaming services present the first seasons of new drama series. Both are based on novels written by women, both have female characters squarely at their center — and both come to TV with accomplished women producers overseeing their adaptations.

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DAVID BIANCULLI, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Rhiannon Giddens' new solo album, Freedom Highway, is an exploration of African-American experiences, accompanied by an instrument with its own uniquely African-American story: the banjo.

Growing up, Jill Soloway had a hard time relating to women as they were portrayed on TV. Soloway would watch The Love Boat or Fantasy Island and feel uncomfortable with the version of femininity the shows put forth.

"In fact, all the way up through watching Sex and the City, I would feel incredibly upset by what I thought was an expectation of me," Soloway says. "[It] was, 'You should really love cute shoes,' and, 'Because you're a woman, you're going to go crazy for a particular dress.' "

Rakesh Satyal's new novel checks off a lot of boxes, but its charm lies in the fact that it wears all of it various identities so lightly. This is an immigration story, a coming-out story and something of an old-school feminist story about a timid woman learning to roar.

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TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Growing up in Brooklyn with a mother from the South and father from Senegal, Gabourey Sidibe spent much of her youth feeling anxious. She was mocked for being part-African and for being overweight, and she worried she would never find her true calling.

As a young woman, Sidibe struggled to find work and ultimately took a job as a phone sex operator where the rule of business was to sound "100 percent white." Then, when she was 24, she auditioned for the role that would change her life.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

In 1933, faced with a housing shortage, the federal government began a program explicitly designed to increase — and segregate — America's housing stock. Author Richard Rothstein says the housing programs begun under the New Deal were tantamount to a "state-sponsored system of segregation."

The government's efforts were "primarily designed to provide housing to white, middle-class, lower-middle-class families," he says. African-Americans and other people of color were left out of the new suburban communities — and pushed instead into urban housing projects.

Copyright 2017 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

My timing has always been a little off with Elizabeth Strout. I've read and pretty much admired everything she's written, but, for whatever reason, the books of hers I've picked to review have been the good ones, like her debut Amy and Isabelle and The Burgess Boys, rather than the extraordinary ones, like Olive Kitteridge, which won the 2009 Pulitzer Prize.

Comic W. Kamau Bell has spent much of his life feeling awkward. A self-described "tall, rangy black dude," Bell was often mistaken for a basketball player growing up — except that serious asthma and allergies meant he spent the bulk of his childhood indoors watching TV.

He says, "There was this weird sense of guilt about the fact that I wasn't using the physical shell that God had given me, and that I wasn't taking advantage of my physical gifts."

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