Classical Music in the Afternoon

Weekdays at 1 p.m. on IPR Classical

Could ours be a golden age of classical music? Around the world and around our state, people are writing music that goes straight to the heart, and performing older masterworks with the fluency of people speaking a native tongue. Barney's mission is to make it easy for you to connect to this new era of classical excellence, while providing you with musical companionship you can count on every afternoon.

NOTE: When searching for a particular date's playlist, please set your date parameters one date newer than the day you want to review. For example, if you would like to view a playlist from the 12th, set your search date as the 13th.

Ways to Connect

simonestesfoundation.org

In May, Simon Estes came to IPR to talk about his life and work, and one hour seemed way too short! His history is extraordinary: his grandparents were slaves, his father was a miner in Centerville, IA , then a major coal town, and he grew up to become one of the world's greatest opera singers. He broke many color barriers, including becoming the first black man to sing lead roles at the Bayreuth Festival (founded by Richard Wagner to showcase his operas). Dr.

In my post Is Parity Time Here for the Classical Violin? I mention a list I put together of classical solo violinists born after 1970, which I said illustrates my thesis that the field has attained gender parity. I mentioned, however, that the list is provisional - the best I could come up with from my perch in northeast Iowa - and that I welcome your input. Let me know what I missed, but meanwhile, here's the list:

http://www.midoriandfriends.org/

To paraphrase my previous post, if you think women have it bad in classical music, take a look at supposedly contemporary arts like film, literature, rock, jazz, blues, and country

michaelgilbertson.net

Listen below to a podcast of a live set from our studio Monday featuring four stellar young musicians from ChamberFest Dubuque.  Dubuque native Michael Gilbertson founded the festival in 2009; since then his compositions have won the Israel Prize and major awards from ASCAP and the American Academy of Arts and Letters, and have been performed by the Washington National Opera, the San Francisco Chamber Orchestra, a

Join us Monday at 7 PM to hear the Quad City Symphony in Beethoven, Brahms, and ... Bancks. In March, the orchestra premiered a work by local composer Jacob Bancks specifically about the Quad Cities.

NPR’s Anastasia Tsioulcas just wrote a scathingly brilliant post about the “fat-shaming” of the gifted Irish mezzo Tara Erraught by a plague of British critics, who sounded like teenage boys as they dissed not Erraught's singing but the supposed flaws of her body.

Andrew Eccles

When sworn enemies shrug and say, “What was THAT about?” it’s worth noticing, especially when they add, “You know, you’re making some good points.”  Something like that may be happening in classical music performance.

Yuri Vedenyapin

Before there was "Who's on first?" there was the similar routine, "Weinstein? Einstein!" by the Yiddish standup team Dzigan & Schumacher.

Yuri Vedenyapin

Russian-born singer/scholar Yuri Vedenyapin - a renowned expert in Yiddish folklore - will be in our studios Wednesday with Russian-guitar virtuoso Oleg Timofeyev to introduce us to the little-known repertory of Russian songs in Yiddish.

David Andrako

Even I am a little stunned by how exciting, original - and abundant - the classical concerts are in Iowa this weekend. Here's a list (and please let me know if I've missed something! I'll add it - bsherman at iowapublicradio.org):

wikipedia

It MAY be SHAKEspeare's BIRTHday, SO they SAY, and WHAT muSIcian can reFRAIN from PLAY? That is (to drop the iambic pentameter) from the fun of listing favorite Shakespeare-inspired classical works? Below are a couple of lists from other sources, followed by my own additions and comments. What would make YOUR list? Let us know on our Facebook page or on twitter @IPRClassical, or by email (bsherman@iowapublicradio.org)  - and whatever you choose, Happy Shakespeare Day!

Join us Thursday afternoon to hear one of the great musicians of our time, Simon Estes, as he tells us about his extraordinary work as a musician, humanitarian, and educator. Born in Centerville, IA, where his father worked as a coal miner, Estes was the first black male artist ever to appear at the Bayreuth Festival (he is one of the rare singers  to triumph in all of Wagner's major operas) and has sung lead roles with all of the world's great opera houses and orchestras.

www.dunedin-consort.org

Careful writers think twice before using superlatives, but it's safe to say that Bach’s St. Matthew Passion is the greatest musical work ever written for Good Friday services. It is sometimes called “the opera Bach never wrote,” but I doubt it,  in part because Bach calibrated it for use in Leipzig’s liturgy, and in part because, as musicologist/performer John Butt once told me, it goes far beyond Baroque opera in its musical, dramatic and psychological complexity. 

Barney's phone

What led three awesome soloists - Julia Bullard (viola), Hannah Holman (cello), and Susanna Klein (violin) -  to form an ensemble, and why did they call it "Trio 826"? Hear the answers, and examples of their superb playing, in the live session they broadcast from IPR's studio last fall.

Tonight at the University of Iowa College of Public Health, the award-winning composer Laura Kaminsky, painter Rebecca Allen, physicist Robert Davies, and The Fry Street Quartet will join forces for an interdisciplinary exploration of climate change called The Crossroads Project. It's part of a

Just an ordinary weekend in Iowa: Sure, if you were in London you could hear the Royal Concertgebouw Orchestra's Beethoven and Bruckner, and next weekend, see Sadler's Wells dance a Stravinsky double-bill. But think of the traffic and the cost of living! Meanwhile, here in Iowa? This month's Iowa Arts Showcase, which you can hear Saturday at 11 or 5, gives some in-depth background, but meanwhile  - check it out:

It's Bach's Birthday! - or is it? The calendars in Eisenach on the day of his birth read March 21st, but back in 1685 Thuringians were  still using the Julian calendar, so our equivalent date is "March 31st," ("equivalent" in being about ten days after the vernal equinox). But old habits die hard, especially addictive ones, and Bach is by far my primary addiction. How about if we just party for ten days?

Iowa's orchestras are commissioning works about Iowa; but how can music without words convey anything about a place? Some examples:

Sean Henri from Wikipedia

I’ve put it off all week, but the public clamor is getting overwhelming…um, would you believe a single email?... so: On to the follow-up! In my last post, I explained why my trusty ideas about “what makes music classical” now seem confused, and I promised to follow up with a more viable approach. Here's a start. I don’t want to oversell it; at best, it’s only part of the answer. But for me, it helps clear at least some of the fog. 

Barney Sherman

If you missed the in-studio live set of Renaissance music by Fathom, not to worry - Fortune has smiled on you! You can listen to the mp3 with the widget below or to a WAV file at this link.  The group performed music written from the 1400s through February, 2014 (by Mary Larew, a native of Iowa and member of Fathom), all of it focused on the theme of Lady Luck. The six members of Fathom each have distinguished careers in early music (and in some cases, new music as well). They are:

Tune in at 3pm for a live in-studio concert of Renaissance music by the NY-based group Fathom.  Its six members, including two Iowans, have distinguished careers in early music (and in some cases, new music as well). They are:

Quick: define “classical music.”  It may sound easy, but most of my attempts have been dead ends. They don't get you to much of the music. Later I’ll discuss a definition that I think works - it covers everything, and helps explain why classical music matters to us. But first let me give you a tour of some of the blind alleys.

Photo by Ciuin Ferrin; used with permission

With all eyes on Sochi, here's a little IPR extra for the ears: two masters of the Russian 7-string guitar, Oleg Timofeyev and Vadim Kolpakov, who came into our studios last November to play original and traditional music. They told me about composing Roma music in Moscow, performing with Eugene Hutz at Madonna's birthday party, and reading a scene in Dostoevsky that connects Roma and Klezmer musicians. And they demonstrated the special sound and style of their instruments.

Andy Doe, properdiscord.com

Last month on Talk of Iowa, IPR’s Charity Nebbe hosted four Iowa music directors–

Orchestra Iowa

When Barney Sherman started planning his career in classical music, his supervisor told him, “Don’t even think about it, classical music is dying…the stations are closing, everyone’s looking for another career, it’s over.” But, 23 years later, Sherman is a Senior Music Producer at Iowa Public Radio, and Iowa’s classical industry is thriving.

Not that Iowa’s symphonies have not gone through some evolution.

When I spoke with Charity Nebbe about favorite classical CDs of 2013, time was short, so I cut my list to 10 that I thought might appeal to the widest range of listeners. But my actual list is much longer.

Join host Jacqueline Halbloom during the 2 o'clock for an exclusive in-studio preview performance of Robert Lindsey-Nassif's new opera, Frankenboy: A Monsteropera. Composed for the Cedar Rapids Opera Theatre, Frankenboy is a one-act opera that presents an anti-bullying message aimed at young audiences.

Join Iowa Public Radio’s senior music producer Jacqueline Halbloom during the 3 o’clock hour for an interview with the Artistic Director of the Des Moines Metro Opera, Michael Egel. Mr. Egel will discuss details about the DMMO’s Fortieth Anniversary Season running between June 22nd to July 15th.

Join host Jacqueline Halbloom during the 3 o'clock hour as she interviews pianist Barry Douglas regarding his upcoming performance with the Des Moines Symphony. A Tchaikovsky Gold Medalist, Douglas will be featured on Rachmaninoff's Piano Concerto No. 3 as part of the DMSO's Season Finale concert, scheduled for May 12 and 13, 2012.

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