Barney Sherman

Classical Music Host

Barney Sherman joined Iowa Public Radio member station KSUI in fall 2001 as Classical music host. In his role with Iowa Public Radio, Barney hosts weekday and Sunday afternoon Classical programs. He has written about music in books for Oxford and Cambridge University Presses and in articles for the New York Times, Los Angeles Times, Journal of the American Musicological Society, Early Music, and many other publications. Another topic he has written about is Iowa, for The Atlantic (and for Iowa Public Radio!).

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To succeed in Iowa, presidential hopefuls need to clear all sorts of hurdles that are unique to politics. But one is familiar to every Iowan: saying our state's place names correctly. Some pronunciations are obvious from the spelling, like Atlantic or Ira, but others tend to trip up newbies. Louisa County? Not like my cousin's first name. Madrid? Not like the city in Spain. Nevada? Not like that state out west. You can’t take anything for granted. But you're not on your own: Iowa Public Radio has you covered.

Earlier this year I posted about "Iowa orchestras making music about Iowa " - and one work discussed was Rock Island Line by Jacob Bancks, commissioned and premiered by the Quad City Symphony Orchestra and broadcast on IPR's Symphonies of Iowa. Bancks, who teaches at Augustana College, told me that

http://ledouxclaude.wordpress.com/2012/01/12/une-annee-nouvelle-rencontre-avec-erin-gee/

In what ways could music relate to the human voice without Auto-Tune or even, necessarily, language - or, for that matter, even singing? New classical CDs are exploring a fascinating range of possibilities, and several are either by or about Iowans. In reverse chronological order, here are five standouts:

He would have cranked up his radio louder and louder as his hearing got worse, but there's no doubt that if public radio had existed, Beethoven would have been an addict. And according to Jan Swafford, "People who knew Beethoven said politics was his favorite subject." So in addition to IPR Classical, I'd bet LvB would have had a preset for IPR's News/Talk stream. Do you seriously think this man would have missed an episode of All Things Considered?

simonestesfoundation.org

In May, Simon Estes came to IPR to talk about his life and work, and one hour seemed way too short! His history is extraordinary: his grandparents were slaves, his father was a miner in Centerville, IA , then a major coal town, and he grew up to become one of the world's greatest opera singers. He broke many color barriers, including becoming the first black man to sing lead roles at the Bayreuth Festival (founded by Richard Wagner to showcase his operas). Dr.

In my post Is Parity Time Here for the Classical Violin? I mention a list I put together of classical solo violinists born after 1970, which I said illustrates my thesis that the field has attained gender parity. I mentioned, however, that the list is provisional - the best I could come up with from my perch in northeast Iowa - and that I welcome your input. Let me know what I missed, but meanwhile, here's the list:

http://www.midoriandfriends.org/

To paraphrase my previous post, if you think women have it bad in classical music, take a look at supposedly contemporary arts like film, literature, rock, jazz, blues, and country

michaelgilbertson.net

Listen below to a podcast of a live set from our studio Monday featuring four stellar young musicians from ChamberFest Dubuque.  Dubuque native Michael Gilbertson founded the festival in 2009; since then his compositions have won the Israel Prize and major awards from ASCAP and the American Academy of Arts and Letters, and have been performed by the Washington National Opera, the San Francisco Chamber Orchestra, a

Join us Monday at 7 PM to hear the Quad City Symphony in Beethoven, Brahms, and ... Bancks. In March, the orchestra premiered a work by local composer Jacob Bancks specifically about the Quad Cities.

NPR’s Anastasia Tsioulcas just wrote a scathingly brilliant post about the “fat-shaming” of the gifted Irish mezzo Tara Erraught by a plague of British critics, who sounded like teenage boys as they dissed not Erraught's singing but the supposed flaws of her body.

Andrew Eccles

When sworn enemies shrug and say, “What was THAT about?” it’s worth noticing, especially when they add, “You know, you’re making some good points.”  Something like that may be happening in classical music performance.

Join us tonight at 7PM to hear the wcfsymphony premiere a work by Decorah-based composer Brooke Joyce and perform Mahler's First Symphony. Below are my impressions of the April concert (which I posted here on April 9th) - tune in and see what YOU think!

Yuri Vedenyapin

Before there was "Who's on first?" there was the similar routine, "Weinstein? Einstein!" by the Yiddish standup team Dzigan & Schumacher.

Yuri Vedenyapin

Russian-born singer/scholar Yuri Vedenyapin - a renowned expert in Yiddish folklore - will be in our studios Wednesday with Russian-guitar virtuoso Oleg Timofeyev to introduce us to the little-known repertory of Russian songs in Yiddish.

David Andrako

Even I am a little stunned by how exciting, original - and abundant - the classical concerts are in Iowa this weekend. Here's a list (and please let me know if I've missed something! I'll add it - bsherman at iowapublicradio.org):

Greg Helgerson

When the 16-month lockout of the Minnesota Orchestra ended in January, the orchestra had no conductor. Music director Osmo Vanska,  whose conducting had propelled the orchestra to international fame, resigned last year in support of the musicians, and without him... well, what exactly was Plan B?

wikipedia

It MAY be SHAKEspeare's BIRTHday, SO they SAY, and WHAT muSIcian can reFRAIN from PLAY? That is (to drop the iambic pentameter) from the fun of listing favorite Shakespeare-inspired classical works? Below are a couple of lists from other sources, followed by my own additions and comments. What would make YOUR list? Let us know on our Facebook page or on twitter @IPRClassical, or by email (bsherman@iowapublicradio.org)  - and whatever you choose, Happy Shakespeare Day!

Join us Thursday afternoon to hear one of the great musicians of our time, Simon Estes, as he tells us about his extraordinary work as a musician, humanitarian, and educator. Born in Centerville, IA, where his father worked as a coal miner, Estes was the first black male artist ever to appear at the Bayreuth Festival (he is one of the rare singers  to triumph in all of Wagner's major operas) and has sung lead roles with all of the world's great opera houses and orchestras.

Orchestra Iowa

The 2008 Cedar Rapids flood literally capsized the Paramount Theatre's Wurlitzer organ, leaving it badly damaged. But a coalition restored the historic instrument to its full glory, and Orchestra Iowa unveiled it this March in a triumphant concert that you can hear rebroadcast tonight at 7PM on IPR Classical.

www.dunedin-consort.org

Careful writers think twice before using superlatives, but it's safe to say that Bach’s St. Matthew Passion is the greatest musical work ever written for Good Friday services. It is sometimes called “the opera Bach never wrote,” but I doubt it,  in part because Bach calibrated it for use in Leipzig’s liturgy, and in part because, as musicologist/performer John Butt once told me, it goes far beyond Baroque opera in its musical, dramatic and psychological complexity. 

Samantha West

Violist Nadia Sirota - a leading advocate of new music, and former student of Jason Weinberger - recently joined the WCFSymphony to perform "beautiful music of a higher order than anything else you will hear this year" - works written for her by Judd Greenstein and Daniel Bjarnson. Then Weinberger led the orchestra in the sumptuous (but violin-free) Serenade no. 2 of Brahms. Hear the concert on Symphonies of Iowa, Sunday at 12 noon or Monday at 7 PM on IPR Classical. 

 

Barney's phone

What led three awesome soloists - Julia Bullard (viola), Hannah Holman (cello), and Susanna Klein (violin) -  to form an ensemble, and why did they call it "Trio 826"? Hear the answers, and examples of their superb playing, in the live session they broadcast from IPR's studio last fall.

Tonight at the University of Iowa College of Public Health, the award-winning composer Laura Kaminsky, painter Rebecca Allen, physicist Robert Davies, and The Fry Street Quartet will join forces for an interdisciplinary exploration of climate change called The Crossroads Project. It's part of a

Orchestra Iowa

Mozart was 23 when he wrote a concerto so rich that not even he would ever surpass it. It's for Violin and Viola (K. 364) and when Orchestra Iowa performed the work recently,  instead of bringing in touring soloists, they shined the spotlight on their own  first violinist Luke Witchger and principal violist Lisa Ponton.  They were amazing:

Just an ordinary weekend in Iowa: Sure, if you were in London you could hear the Royal Concertgebouw Orchestra's Beethoven and Bruckner, and next weekend, see Sadler's Wells dance a Stravinsky double-bill. But think of the traffic and the cost of living! Meanwhile, here in Iowa? This month's Iowa Arts Showcase, which you can hear Saturday at 11 or 5, gives some in-depth background, but meanwhile  - check it out:

Greg Helgerson

When someone shouted "Osmo, come home,” it touched off "five minutes of clamorous applause, which quickly turned rhythmic." That demonstration was in Minneapolis this weekend, says the New York Times, which adds: "since management lifted its 16-month lockout of the players" of the Minnesota Orchestra "over a contract dispute, in January, the musicians have typically been greeted as conquering if

Travel back in time tonight to hear the WCFSymphony's re-creation of  a Mozart soiree, recorded live at Waterloo’s newly-restored Brown Derby Ballroom. The elegant interior was the perfect setting for an array of Mozartian gems, culminating in the Symphony no. 40. Soloists included soprano Suzanne Lommler and Artistic Director Jason Weinberger on clarinet. Jacqueline Halbloom hosts this Symphonies of Iowa broadcast.

IMG artists

Join Jacqueline Halbloom to hear about four musical events coming up in Iowa next month:

  • The Metropolitan Chorale's 60th Anniversary Concert
  • The Iowa recital of the 2013 Van Cliburn Gold Medalist, Ukrainian pianist Vadym Kholodenko
  • The UI School of Music's Die Fledermaus at the Englert
  • The Des Moines recital of award-winning French classical guitarist Judicael Perroy

It's Bach's Birthday! - or is it? The calendars in Eisenach on the day of his birth read March 21st, but back in 1685 Thuringians were  still using the Julian calendar, so our equivalent date is "March 31st," ("equivalent" in being about ten days after the vernal equinox). But old habits die hard, especially addictive ones, and Bach is by far my primary addiction. How about if we just party for ten days?

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